Last season saw Quattlebaum star in several exciting projects: a newly imagined trilogy of Carl Orff’s works entitled Trionfi conducted by Kent Nagano and staged at the Staatsoper Hamburg by acclaimed director Calixto Bieito; his highly anticipated debut at English National Opera as the Count in The Marriage of Figaro; Handel’s Messiah with the Academy of Ancient Music at The Barbican and in Las Palmas; Bach’s St Matthew Passion with the Concertgebouw Orchestra and Riccardo Minasi; and Zebul Jephtha with Il pomo d’oro.

Other recent highlights include Don Giovanni in Simon Steen-Andersen’s new production and opera Don Giovanni’s Inferno for his company debut at the Royal Danish Theatre; Kurwenal Tristan und Isolde at the Opéra de Rouen; Venere Venere e Adone at Staatsoper Hamburg; Bhishma in the world premiere of Thierry Pécou’s Until The Lions and Ratefreund in the French premiere of Braunfels’ Die Vögel, both with Opéra National du Rhin; Il Conte in Le nozze di Figaro with The Handel and Haydn Society conducted by Raphaël Pichon; his debut at the Israeli Opera as Figaro Le nozze di Figaro and with San Francisco Opera as Masetto Don Giovanni. Highlights on the concert platform include Georg Muffat’s Missa in labore requies with Philharmonia Baroque; Beethoven Missa Solemnis with the Oslo Philharmonic conducted by Klaus Mäkelä; Hanns Eisler’s Deutsche Sinfonie with the NDR Elbphilharmonie Orchestra under the baton of Carlos Miguel Prieto and a concert version of Don Giovanni at Tanglewood Festival with Boston Symphony Orchestra conducted by Andris Nelsons.