{"id":208,"date":"2024-03-13T16:15:22","date_gmt":"2024-03-13T16:15:22","guid":{"rendered":"http:\/\/codyquattlebaum.com\/?page_id=208"},"modified":"2026-01-16T21:51:04","modified_gmt":"2026-01-16T21:51:04","slug":"about","status":"publish","type":"page","link":"https:\/\/codyquattlebaum.com\/?page_id=208","title":{"rendered":"About"},"content":{"rendered":"\n
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Cody Quattlebaum<\/p>\n\n\n\n

American Baritone<\/h2>\n\n\n\n
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Cody Quattlebaum is establishing himself as a talent of rare quality and versatility, equally in demand for both operatic and concert repertoire – ranging from the Baroque to contemporary.<\/p>\n\n\n\n

Recent and upcoming successes include Vulcano in the world premiere of Salvatore Sciarrino\u2019s Venere e Adone<\/em> directed by Georges Delnon; the title role in Simon Steen-Andersen\u2019s new production of Don Giovanni\u2019s Inferno<\/em> for his company debut at the Royal Danish Theatre; Bhishma in the world premiere of Thierry P\u00e9cou\u2019s Until The Lions<\/em>, and Ratefreund in the French premiere of Braunfels\u2019 Die V\u00f6gel<\/em>, both with Op\u00e9ra National du Rhin; Il Conte in Le Nozze di Figaro<\/em> with The Handel and Haydn Society conducted by Rapha\u00ebl Pichon; his debut at the Israeli Opera as Figaro in Le Nozze di Figaro<\/em>, and with San Francisco Opera as Masetto in Don Giovanni<\/em>. Highlights on the concert platform include Georg Muffat\u2019s Missa in Labore Requies<\/em> with Philharmonia Baroque; Beethoven Missa Solemnis<\/em> with the Oslo Philharmonic conducted by Klaus M\u00e4kel\u00e4; Hanns Eisler\u2019s Deutsche Sinfonie <\/em>with the NDR Elbphilharmonie Orchestra under the baton of Carlos Miguel Prieto, and a concert version of Don Giovanni<\/em> at Tanglewood Festival with Boston Symphony Orchestra conducted by Andris Nelsons. <\/p>\n\n\n\n

Further recent highlights include his company debut with Teatro Real as Masetto Don Giovanni<\/em> under the baton of Ivor Bolton and his house debut at the Royal Opera House, Covent Garden as Schaunard in La boh\u00e8me<\/em>; his BBC Proms debut in Handel\u2019s Jephtha<\/em>; Berlioz Rom\u00e9o et Juliette<\/em> with the RTVE Symphony Orchestra; Mefistofele Prologue<\/em> with the Oakland Symphony Orchestra; a concert tour of Bach Coffee Cantata<\/em> with the Philharmonia Baroque Orchestra & Chorale and Richard Egarr; a New Year\u2019s Concert Gala at the Teatr Wielki; Don Fernando Fidelio<\/em> with Marc Minkowski at the Th\u00e9\u00e2tres de la Ville de Luxembourg; Handel Brockes Passion<\/em> and Bach St John Passion<\/em> – both at the Barbican with Richard Egarr and the Academy of Ancient Music, and Segeste in Arminio <\/em>and Dettingen Te Deum<\/em> at the H\u00e4ndel-Festspiele in G\u00f6ttingen under the baton of Laurence Cummings. <\/p>\n\n\n\n

As a member of the Dutch National Opera studio during the 2018\/19 season, his roles included Geronimo in Il Matrimonio Segreto<\/em> and Bruno Zirato in the world premiere of Micha Hamel\u2019s Caruso a Cuba<\/em>. In the year prior, he was a member of the prestigious Opernhaus Z\u00fcrich International Opera Studio, performing roles such as Schriftsteller in the world premiere of Der Traum von Dir<\/em>, Larkens in La Fanciulla del West<\/em>, and Zuniga in Barrie Kosky\u2019s acclaimed production of Carmen.<\/em><\/p>\n\n\n\n

Quattlebaum was a finalist in the 2018 Glyndebourne Cup 2018, the Metropolitan Opera National Council competition in 2017, and the recipient of a Sara Tucker grant from the Richard Tucker Foundation. He is an alumnus of the University of Cincinnati\u2019s College Conservatory of Music, and the Juilliard School.<\/p>\n<\/div>\n\n\n\n

Download biography pDF<\/span><\/a><\/div>\n<\/div>\n<\/section>\n\n\n\n

Repertoire<\/h2>\n\n\n
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Opera<\/h3>\n\n\n\n

Carmina Burana<\/p>\n\n\n\n

Trionfo di Afrodite<\/p>\n\n\n\n

Tristan und Isolde<\/p>\n\n\n\n

Don Giovanni\u2019s Inferno<\/p>\n\n\n\n

Venere e Adone, Sciarrino<\/p>\n\n\n\n

From Muffat to Mason<\/p>\n\n\n\n

Missa Solemnis, Beethoven<\/p>\n\n\n\n

Immersive Messiah Experience<\/p>\n\n\n\n

Le Nozze di Figaro<\/p>\n\n\n\n

Until the Lions, Pecou<\/p>\n\n\n\n

Don Giovanni<\/p>\n\n\n\n

Don Giovanni<\/p>\n\n\n\n

Le Nozze di Figaro<\/p>\n\n\n\n

Die Vogel, Braunfels<\/p>\n\n\n\n

Deutsche Sinfonie, Eisler<\/p>\n\n\n\n

La Boheme<\/p>\n\n\n\n

Don Giovanni<\/p>\n\n\n\n

Coffee Cantata, Bach<\/p>\n\n\n\n

New Year’s Eve Gala<\/p>\n\n\n\n

Romeo et Juliette, Berlioz<\/p>\n\n\n\n

Hot as Hell\/Cool Jazz, Boito<\/p>\n\n\n\n

Prom 55: Jephtha, Handel<\/p>\n\n\n\n

Brockes Passion, Handel<\/p>\n\n\n\n

Il Matrimonio Segreto, Cimarosa<\/p>\n\n\n\n

Caruso a Cuba, Micha Hamel<\/p>\n\n\n\n

Fidelio, Beethoven<\/p>\n\n\n\n

Carmen, Bizet<\/p>\n\n\n\n

Arminio, Handel<\/p>\n\n\n\n

Johannes Passion, Bach<\/p>\n\n\n\n

La Fanciulla del West, Puccini<\/p>\n\n\n\n

Der Traum von Dir, Xavier Dayer<\/p>\n\n\n\n

The Bear, Walton<\/p>\n<\/div><\/div>\n\n\n\n

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Role<\/h3>\n\n\n\n

Baritone, Soloist<\/p>\n\n\n\n

Corifeo<\/p>\n\n\n\n

Korwenal<\/p>\n\n\n\n

Don Giovanni<\/p>\n\n\n\n

Vulcano<\/p>\n\n\n\n

Bass, Soloist<\/p>\n\n\n\n

Bass, Soloist<\/p>\n\n\n\n

Bass, Soloist<\/p>\n\n\n\n

Count<\/p>\n\n\n\n

Bhishma<\/p>\n\n\n\n

Masetto<\/p>\n\n\n\n

Masetto<\/p>\n\n\n\n

Figaro<\/p>\n\n\n\n

Ratefreund<\/p>\n\n\n\n

Bass, Soloist<\/p>\n\n\n\n

Schaunard<\/p>\n\n\n\n

Masetto<\/p>\n\n\n\n

Schlendrian<\/p>\n\n\n\n

Soloist<\/p>\n\n\n\n

Friar Lawrence<\/p>\n\n\n\n

Mefistole<\/p>\n\n\n\n

Zebul<\/p>\n\n\n\n

Jesus<\/p>\n\n\n\n

Geronimo<\/p>\n\n\n\n

Bruno Zirato<\/p>\n\n\n\n

Don Fernando<\/p>\n\n\n\n

Zuniga<\/p>\n\n\n\n

Segeste<\/p>\n\n\n\n

Jesus<\/p>\n\n\n\n

Larkens<\/p>\n\n\n\n

Der Schriftsteller<\/p>\n\n\n\n

The Bear<\/p>\n<\/div><\/div>\n\n\n\n

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House<\/h3>\n\n\n\n

Staatsoper Hamburg<\/p>\n\n\n\n

Staatsoper Hamburg<\/p>\n\n\n\n

Op\u00e9ra de Rouen<\/p>\n\n\n\n

Royal Danish Opera<\/p>\n\n\n\n

Staatsoper Hamburg<\/p>\n\n\n\n

PBO, San Francisco<\/p>\n\n\n\n

Oslo Filharmonien<\/p>\n\n\n\n

London<\/p>\n\n\n\n

Handel and Haydn Society<\/p>\n\n\n\n

Op\u00e9ra National du Rhin<\/p>\n\n\n\n

Tanglewood Festival<\/p>\n\n\n\n

San Francisco Opera<\/p>\n\n\n\n

Israeli Opera, Tel Aviv<\/p>\n\n\n\n

Op\u00e9ra National du Rhin<\/p>\n\n\n\n

Elbphilharmonie, Hamburg<\/p>\n\n\n\n

Royal Opera House, London<\/p>\n\n\n\n

Teatro Real, Madrid<\/p>\n\n\n\n

PBO, San Francisco<\/p>\n\n\n\n

Opera Narodowa, Warsaw<\/p>\n\n\n\n

Rtve Orquesta, Madrid<\/p>\n\n\n\n

Oakland Symphony<\/p>\n\n\n\n

BBC Proms, Royal Albert Hall<\/p>\n\n\n\n

AAM, London<\/p>\n\n\n\n

Dutch Nationale Opera & Ballet<\/p>\n\n\n\n

Dutch Nationale Opera & Ballet<\/p>\n\n\n\n

Grand Th\u00e9\u00e2tre de Luxembourg<\/p>\n\n\n\n

Opernhaus Z\u00fcrich<\/p>\n\n\n\n

Handel Festspiele, G\u00f6ttingen<\/p>\n\n\n\n

AAM, London<\/p>\n\n\n\n

Opernhaus Z\u00fcrich<\/p>\n\n\n\n

Opernhaus Z\u00fcrich<\/p>\n\n\n\n

San Francisco Opera<\/p>\n<\/div><\/div>\n\n<\/div><\/div><\/div><\/div>\n\n<\/div><\/div>\n\n\n

View full repertoire<\/span><\/a><\/div>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Cody Quattlebaum American Baritone Cody Quattlebaum is establishing himself as a talent of rare quality and versatility, equally in demand for both operatic and concert repertoire – ranging from the Baroque to contemporary. Recent and upcoming successes include Vulcano in the world premiere of Salvatore Sciarrino\u2019s Venere e Adone directed by Georges Delnon; the title role in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-208","page","type-page","status-publish","hentry"],"featured_image_src":null,"_links":{"self":[{"href":"https:\/\/codyquattlebaum.com\/index.php?rest_route=\/wp\/v2\/pages\/208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/codyquattlebaum.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/codyquattlebaum.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/codyquattlebaum.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/codyquattlebaum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=208"}],"version-history":[{"count":158,"href":"https:\/\/codyquattlebaum.com\/index.php?rest_route=\/wp\/v2\/pages\/208\/revisions"}],"predecessor-version":[{"id":1102,"href":"https:\/\/codyquattlebaum.com\/index.php?rest_route=\/wp\/v2\/pages\/208\/revisions\/1102"}],"wp:attachment":[{"href":"https:\/\/codyquattlebaum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}